The exhibition shares its title with Harrison's photograph of the back door maintenance entrance to Duchamp's Etant donnes, which is visible in the exhibition galleries of the Philadelphia Museum of Art, and alludes to the entangled roles of the Artist, the Muse, and the Help. The twelve sculptures on view in the exhibition combine formalist inspiration and tragicomic epiphany and are imbued with Harrison's signature sense of slapstick timing. 'The Help' also introduces a group of drawings in which Harrison explores the passion and pathology of the tortured artist, a figure suspended between the pressures of ambitious creative vision and the public hunger for performance.
Expired :Jun 16, 2012
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Sabtu, 16 Juni 2012
Rachel Harrison: the Help @Greene Naftali
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